North Macedonia 2025 — Directed by: Iber Deari, Mirsad Abazi — 20 min — Spoken language: Macedonian — Subtitles: English — Production Company: Lumiere Films — Producer: Avdi Thachi
In rural North Macedonia, the first female village bus driver turns a routine job into a quiet revolution.
Greece 2025 — Directed by: Vivian Papageorgiou — 76 min — Spoken language: Greek — Subtitles: English — Producer: Ioanna Petinaraki — Editor: Maria Kounavi
Across the Delta of the Pinios River, a resilient community of coastal fishers navigates the seasons, their stories unfolding against the constant presence of water.
ROOMS — Finland 2025 — Directed by: Antti Lempiäinen — 38 min — Spoken language: Finnish — Subtitles: English — Production Company: Superreel Productions — Producers: Eliel Kilkki, Antti Lempiäinen
In a country celebrated as the world’s happiest, one man struggles to survive the cold streets of Helsinki after losing his home and family.
REEL REFLECTIONS — Croatia 2025 — Directed by: Ines Jokoš — 27 min — Spoken language: Croatian — Subtitles: English — Productions Company: Kreativni sindikat — Producer: Igor Grubić
A blind film lover turns the camera on his own life, capturing fragments that challenge our assumptions about vision and the act of seeing.
FREIGHT — Switzerland 2025 — Directed by: Max Carlo Kohal — 80 min — Production Company: Dynamic Frame GmbH — Producer: Nicole Ulrich — Co-Production: Zürcher Hochschule der Künste
In a world of stapling containers, 16-year-old Rudmer dreams of becoming a barge ship captain, toughening in an ever-changing surrounding.
YOUR FATHER AND I DON'T USUALLY TALK ABOUT SUCH THINGS... — Hungary 2024 — Directed by: Dávid András Szabó — 13 min — Spoken language: Hungarian
A filmmaker turns the camera toward his parents to unravel the love, frustration, and asymmetry that shaped their marriage and his own place within it.
France 2024 — Directed by: Benoit Méry — 15 min — Spoken languages: French, Swedish, English — Subtitles: English, French — Production Company: GREC - Groupe de Recherches et d'Essais Cinématographiques — Producer: Anne Luthaud — DoP: Louis Hanquet
Deep in Hellfest, music gradually takes possession of metalheads.
Slovenia, Austria, Poland, Italy, Serbia 2024 — Directed by: Maja Doroteja Prelog — 87 min — Spoken language: Slovenian — Subtitles: English — Production Company: Cvinger Film — Coproduction Companies: Zena Film, Agresywna Banda, Wake Up Films
After beating a terminal diagnosis, Blaž embarks on a celebratory bike tour across Italy—filmed by his partner Maja. But as the journey unfolds, the camera turns inward, revealing a raw and intimate portrait of love, identity, and transformation.
SONGS FROM PEOPLE'S ISLAND — Hungary, United Kingdom 2024 — Directed by: Danijar Bíró — 25 min — Producer: Danijar Bíró — Production Company: Triad Visions
A musical portrait of Budapest’s transforming rust belt, seen through the eyes of a homeless islander witnessing gentrification on People’s Island.
North Macedonia 2024 — Directed by: Bojan Tanturovski — 74 min — Spoken language: Macedonian — Subtitles: English — Production Company: OXO Production — Producer: Ilija Tiričovski
After 35 years of gardening on an uninhabited public land near the river Vardar, the last urban guerilla gardeners in Skopje are faced with eviction. As the city expands, they are forced to seek another land.
HE'LL RISE UP — France 2024 — Directed by: Laura Chatenay-Rivauday — 34 min — Spoken language: French — Subtitles: English — Production Company: Les Ateliers Varan
Alix is a young singer from Martinique. In Paris, he follows the path of his operatic dreams. Step by step, between harmony and discordance.
THE WATCHMAN — France, Belgium 2024 — Directed by: Lou du Pontavice, Victoire Bonin — 77 min — Spoken language: Chinese (Mandarin) — Subtitles: English — Production Company: Hutong Productions — Producers: Lucie Rego, Pauline Tran Van Lieu
A security guard and a concierge in a luxury hotel, project a dream life onto their only son, a music student in China. When he moves to Estonia to attend a prestigious conservatory, his parents must find ways to deal with his absence.
Please activate Javascript to access our site.
